Biennial Juried Exhibition
March 17 - May 24, 2009
Organized by Dubuque Museum of Art
The second Dubuque Museum of Art Biennial Juried Exhibition featured the best work of the some of the most talented artists in a 200 mile radius of Dubuque. The quality and variety of regional artwork is the highlight of this popular exhibition. This year’s juror was Michael Gerber, curator and owner of Gruen Galleries located in Chicago’s River North gallery district. Gruen, a fixture among Chicago galleries, specializes in contemporary art and African sculpture.
The artists included in the 2009 Biennial were:
Helen Anderson - Lancaster, WI
Bekah Ash - Iowa City, IA
Marcia Babler - Libertyville, IL
Maureen Bardusk - Galena, IL
Mary Snyder Behrens - Dysart, IA
Beth Bird - Galena, IL
Tam Bodkin Bryk - Iowa City, IA
Cynthia Nelms-Byrne - Dubuque, IA
Erin Lenore Cowan - Stockton, IL
Fred Easker - Cedar Rapids, IA 2ND PLACE AWARD
Velga Easker - Cedar Rapids, IA
Stephanie Failmezger - Peosta, IA
Alison Filley - Iowa City, IA
Delores Fortuna - Galena, IL
Stephen Gassman - Platteville, WI HONORABLE MENTION AWARD
Jewel Gwaltney - Quincy, IL
Jenny Harms - Dubuque, IA HONORABLE MENTION AWARD
Debbie Horch - Dubuque, IA
Raphael Iaccarino - Davenport, IA
Karen Kurka Jensen - Cedar Rapids, IA
Megan Kalmes - Bellevue, IA
Alda Kaufman - Dubuque, IA
Gordon Kellenberger - Amana, IA
Jenny Knavel - Sleepy Hollow, IL
Keith Lemley - Madison, WI
Susan Long - Bettendorf, IA
Pauline Maloney - Dubuque, IA
Harold Martin - Galena, IL
Dawn Wohlford-Metallo - Bettendorf, IA
Nikolaus Miesing - Galena, IL
Bret Miller - Waterloo, IA
Heather L. O'Neil - Dubuque, IA 1ST PLACE AWARD
Robert D. Peterson - Cedar Rapids, IA
Mary Phelan - Chicago, IL
Jessica Rebik - Dubuque, IA 3RD PLACE AWARD
Nancy Reid - Gilberts, IL
Michelle Rial - Serena, IL HONORABLE MENTION AWARD
Tom Sheppard - Decorah, IA
S. Richard Shook - Slater, IA
Steve Sinner - Bettendorf, IA
Corrine Smith - Rock Island, IL
Delmar M. Stevens - Peosta, IA
Thomas Jewell-Vitale - Dubuque, IA
John F. Walté - Highland, WI HONORABLE MENTION AWARD
Marcia Wegman - Iowa City, IA
Rose Ann Wilgenbusch - Dubuque, IA
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New Views: Frederick Jones, James Walker Henry, and Kent Hammond
March 3 - May 24, 2009
Organized by Dubuque Museum of Art
In this exhibition, New Views: Frederick Jones, James Walker Henry, and Kent Hammond, three contemporary artists presented new views from today’s art world with a visually stimulating mix of abstraction, surrealism, and originality. Each artist presented a new way of looking at and understanding the world around us.
 Three digital photography collages by Frederick Jones explored the inevitable passing of time and the cycle of life through observations of nature. His studies of time are intriguing and profound, using familiar objects like trees, cornfields, and dandelions in place of calendars and clocks. Among his many educational accomplishments, Jones received his Master of Fine Arts from the University of Wisconsin – Madison. He is retired from teaching at Western Illinois University where he developed the Silkscreen and Computer Generated Art programs. He lives in Macomb, Illinois.
 James Walker Henry paints Surrealist images full of intense color and compelling imagery. He selects current political and social events that affect him personally and emotionally to inspire his work and is, therefore, never at a loss for subject matter. His colorful, fantastical scenes momentarily camouflage powerful undertones of disenchantment and despair. Henry graduated from Southeastern Community College. He lives in Burlington, Iowa.
 Kent Hammond is originally from Dubuque, Iowa - a graduate of Hempstead High School. Now living in Los Angeles, his large abstracts provide a glimpse into the dynamic, contemporary west coast art scene. He creates self-governing spaces that encourage “looking, thinking, and evaluating.” Of his paintings, he writes “[t]hey are inquisitive yet timid, clumsy yet magnificent, calculated yet informal.” Hammond graduated from the University of Iowa and received his MFA from Claremont College in California. He is currently on the faculty at the Fashion Institute of Design and Merchandising and maintains a studio in Los Angeles.
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 Mauricio Lasansky: Prints from the Collection
December 5, 2008 - May 10, 2009
Organized by Dubuque Museum of Art
We were pleased to present this small exhibition of prints by Mr. Lasansky from the Museum’s collection that includes prime examples of the artist's signature style, composition, and themes - the riveting series of four intaglios For An Eye An Eye I-IV (1946-48); My Daughter Marie Jemina (1959), a sweetly rendered, larger-than-life size print; and two portraits, Self Portrait (1957) and Old Lady with Bonnet (1969).
A native of Argentina, Lasansky was a naturalized American citizen by 1952. He was invited to establish a print workshop at the University of Iowa School of Art and Art History in 1945, which still serves as a model for other university printmaking departments. He is best known for his complex, large-scale prints on which he applied a spectrum of masterful graphic techniques, using multiple plates and full ranges of color. Awarded five Guggenheim Fellowships over his lifetime, as well as numerous honorary degrees and exhibition awards, Lasansky has devoted his career to exploring the expressive possibilities of graphic art; contributing significantly to establishing printmaking as a meaningful and critical art form in the 20th century. Mr. Lasansky retired from the University of Iowa in 1985. He and his wife Emilia raised six children in Iowa City. They live there today and Lasansky continues to create new work in his downtown Iowa City studio.
Mauricio Lasansky (Argentina, b. 1914)
My Daughter Maria Jimena, 1959
color intaglio
58 3/16 x 20 9/16 inches
ND.229 |
 Warrior and Rider: Selections from The North American Indian by Edward S. Curtis
November 28, 2008 - March 1, 2009
Organized by Dubuque Museum of Art
Sponsored by a grant from the Henry Family Foundation
Dubuque’s copy of The North American Indian collection by Edward S. Curtis, given to the library in 1909 by Mrs. Hiram Pond Ward, includes 20 volumes of encyclopedic text and photographs documenting traditional Indian life, tribal lore, history, traditional foods, housing, garments, recreation ceremonies and funeral customs. In total he took over 40,000 photographic images of over 80 tribes. Additionally, the collection includes 722 sepia- toned, large-format photogravure prints. Only 272 complete sets were sold of 300 sets printed.
In 1999, the collection of photogravures was loaned to the Museum from the library for exhibition and better long-term storage conditions. In October, a local group, Dubuque Cultural Preservation Committee, purchased the entire Curtis collection ensuring that the collection will remain in Dubuque for the community to continue to enjoy.
Warrior and Rider, featured the horse and its importance to Native American life. From work to play to battle, the horse was an integral and indispensable part of many Native American tribes. Curtis took these photographs between 1895 and 1928, recreating beautiful and moving images from a time long past. Two of the books were also on view, Volumes 4 and 8, showing additional horse-themed image and text.
Edward S. Curtis was born near Whitewater, Wisconsin in 1868. In 1874, his family moved from Wisconsin to Minnesota and Curtis built his own camera from parts his father brought home from the Civil War. At the age of 17, he became apprenticed to a St. Paul photographer and at 19 became a partner with a photographer in a Seattle studio. Curtis died of a heart attack in 1952 at the home of his daughter Beth in Los Angeles. |
 Lyrical Prints and Paintings by Arthur Thrall
November 28, 2008 - February 15, 2009
Organized by Dubuque Museum of Art
Mr. Thrall explores the relationship between visual art and music in his extraordinary paintings and etchings. He is inspired by music, musical scores, and rhythmic patterns in his graceful abstract designs.
Mr. Thrall received undergraduate and graduate degrees at University of Wisconsin-Milwaukee (Milwaukee State Teachers College), University of Illinois-Urbana, University of Wisconsin-Madison, and Ohio State University. After holding teaching positions outside the area, he returned to Milwaukee-Downer College as a professor of art. Following the college's merger with Lawrence University in Appleton, Wisconsin Thrall held the Ferrar-Marrs Chair in Fine Arts until his retirement in 1990. Thrall now live in his native Milwaukee where he has a studio in Riverwest. He and his wife Win have four children and seven grandchildren.
Image: Arthur Thrall,
Galaxy I, acrylic on canvas, 2007, 24x28 in., private collection. |
Abdul Sinno: The Mississippi – Inspiring Panoramas of Dubuque and the Tri-State Area
Organized by Dubuque Museum of Art
An amuse bouche of panoramic Dubuque area images from Dr. Abdul Sinno’s sweeping collection of images along the Mississippi River were featured on the second floor balcony area. For the past several years, Dr. Sinno has been photographing scenes of Dubuque, the Mississippi and towns along its path.
Dr. Sinno’s work is exhibited in art galleries, museums, and other fine art outlets throughout the Midwest. He is a featured motivational speaker, author, and workshop leader. Dr. Sinno holds a Ph.D. in mass communication from the University of Wisconsin, Madison. Currently he is a full professor of communication and the chair of the department at Clarke College, Dubuque, IA.
Image: Abdul Sinno, The Mississippi Highway, Fall 2006, panoramic photograph, 13x43 in., Collection of the artist. |
 Joseph Walter: Portraits
September 2 - November 30, 2008
Organized by Dubuque Museum of Art
This exhibition continued the exploration of the work of this little-known but highly skilled and classically trained Dubuque artist from the early 20th century. Walter made his living creating religious murals and paintings in churches in Dubuque and many surrounding communities. However, he spent his free time creating beautiful masterpieces of the landscapes, people, and still-life scenes around him and that he found on his travels throughout the upper Midwest. These exhibitions are organized with the cooperation of Dubuque's Friends of Joseph Walter group. Eleven portraits were on display including the artist's self-portrait, portraits of his son and daughter, and three portraits that are strongly assumed to be of the three Herrmann brothers from Dubuque.
Joseph Walter (American, b. Austria, 1865-1946), Portrait of Marie Walter (detail), c. 1908, oil on canvas, 20x16 in., Gift of Dr. Darryl & Terry Mozena, 2007.12.28
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 2008 Annual Holiday Party and Art Auction
Friday, November 21, 2008
beginning at 6:00 p.m.
The largest and best selection ever of original artwork from local and regional artists supporting the Museum was the main attraction of the auction. Thank you to participating artists: Maureen Bardusk, John Anderson-Bricker, Amethyst Barron, Mary Beck, Beth Bird, John Bissell, Jennifer Braig, Gail Chavenelle, Charles Cunliffe Jr., Odra Carney Eberhardt, Jim Ehlinger, Bill Farrell, Delores Fortuna, Stephen Gassman, Arthur Geisert, Donna Gibson, Jenny Harms, Roy Haught, Andrew Hudson, Thomas C. Jackson, Tom Jewell-Vitale, Carl Johnson Jr., Louise Kames, Alda Kaufman, Joyce Kuhle, Pauline Maloney, Ioana Mamali, Jane Melgaard, Nikolaus Miesing, Stormy Mochal, Kerin Moldenhauer, Cynthia Nelms-Byrne, Kenneth W. Nelson, Gregory T. Nelson, Tim Olson, Ann Reisdorf, Wendy Rolfe-Mulgrew, Doug and Dona Schlesier, Becky Sisco, Abdul Sinno, John Solarz, Mark Stevens, Karen Thomas, Jac Tilton, Gene Tully, Ellen Wagener, Pat Wathan, RoseAnn Wilgenbusch, and Norman Zepeski.
Other popular items that included the use of a condo in Park City, Utah, delicious meals, use of the newly enlarged Red House for a gathering, and a beautiful leather Flexsteel chair and ottoman!
The second annual Dubuque Museum of Art Raffle winner was drawn following the live auction. The winner of the $25,000 raffle drawing was Mary Jo Chapman. Congratulations, Mary Jo!! Proceeds benefitted the Museum (and the winner!). Thank you to raffle sponsors American Trust, Crescent Electric, Farber Bag, Steele Capital Management Inc., The Red House, and Theisen’s.
Thank you to everyone who attended and bid at this year's auction. We hope to see you again next year for the auction and kick-off to the Holiday Season!!
An image of beautiful Park City, Utah
Image above: Cynthia Nelms-Byrne, Iowa Summer, 2008, oil on canvas, 14x18 in. |
 Politics as Usual: Political Cartoons by Dick Locher
August 26 - November 9, 2008
Organized by Dubuque Museum of Art
Dick Locher's ability to capture the absurdities of life through political cartooning is known worldwide. His impact as a widely recognized cartoonist and commentator on American life is seen in the numerous awards he has received, including the Pulitzer Prize.
Locher established his reputation as one of the leading editorial cartoonists at the Chicago Tribune, where he worked since 1973. Since 1983, he has been the artist of the "Dick Tracy" comic strip and in 2005 took over as both writer and artist. Locher's previous experience with the strip was as Chester Gould's assistant from 1957 to 1961. Prior to joining the Chicago Tribune, he was president of his own sales-promotion agency. Locher is also know as a fine art painter, sculptor, and inventor. He is originally from Dubuque.
This exhibition included over 50 of Locher's political cartoons and 7 small caricature sculptures. |
 Looking for More: Recent Paintings by Thomas C. Jackson
August 26 - November 9, 2008
Organized by Dubuque Museum of Art
The Dubuque Museum of Art presented the paintings of Cedar Rapids, Iowa artist Thomas C. Jackson in the Kris Mozena McNamer Gallery. With a graphic artist’s technical aptitude, Jackson creates absorbing images of American life using imagery that we may see everyday but take for granted or are only aware of subconsciously. Jackson uses his commercial background to make insightful statements about American pastimes and popular culture:
"All of the paintings reflect society's desire for more -- more summer fun, visual stimulation, crowds, excitement, food, travel, money, music, dancing. They may be interested in buying one more Christmas present, showing off the latest fashion, traveling to the next hot spot, enjoying one more big band dance, winning a prize, eating comfort food, or exuding the most Christmas spirit."
Thomas C. Jackson received a BA from Western Illinois University in Macomb, Illinois in 1972 and an MFA from the University of Notre Dame in 1974. Prior to becoming a full-time artist in 2000, Jackson was General Manager and Vice President for Client Development at Stamats Communications, Inc. in Cedar Rapids. His work is represented at Karolyn Sherwood Gallery in Des Moines, Iowa.
Image: Thomas C. Jackson, Holly Ball, 2008, oil on canvas, 36x54 in., collection of the artist. |
 The Spiritus Suite by Louise Kames
August 6 - November 9, 2008
In the latter part of the twelfth century the women who became known as “Beguines” began a creative experiment in a new style of living. They were not members of the established religious orders, or convents, although their lifestyles were similar. Beginning in Belgium and the Low Countries, the movement spread along the Rhine, with its numbers peaking at the end of the thirteenth century.
Kames’s interest in the Beguines began in preparation for a 2005 residency at the Frans Masereel Centrum, the Flemish International center for the contemporary printmaking, located in Kasterlee, Belgium. Again in the summer of 2007 Kames was a resident at the Frans Masereel Centrum, when she finalized the format for the Spiritus Suite. Numerous small Beguine communities or "begijnhofs" still exist in the Northern part of Belgium. Although, there are no Beguines still living, their distinctive communal structures have found reuse as museums, cultural centers, student or senior housing. Many remaining begijnhofs are classified as World Heritage Sites by UNESCO. Kames visited and documented begijnhofs at Turnhout, Brugges, Antwerp, and Leuven in Belgium. Often the begijnhof took the form of small row houses situated around a central garden and chapel. This architectural plan informed the structure of Spiritus Suite.
Each of the etchings suggests one of the "Seven Stages of Mystical Journey" found in numerous Beguine writings. The individual parts of the print reference Beguine spiritual life as well.
Image above: Louise Kames, Spiritus Suite II, 2007, colored etching, 6.5x23 in., collection of the aritst. |
 Edward S. Curtis
Highlights from The North American Indian Collection
May 20, 2008 - August 24, 2008
Edward S. Curtis is one of the most prominent and recognized photographers of the 20th century; best known for his colossal photography collection "The North American Indian," nine of which are displayed in this exhibition. He was born in 1868 near Whitewater, Wisconsin, only 130 miles from Dubuque. His adolescence coincided with the emergence of photography as an artistic medium. Photography captivated him from an early age and he would dedicate his life to the medium.
His family moved to Seattle, Washington in 1887 where Curtis became a professional photographer. Curtis honed his artistic skills photographing the residents in the Seattle area. But it was through the opportunities to work as a photographer on expeditions to the north, documenting the geography and indigenous people, that Curtis gained the skills and the desire to travel the country capturing images of North American Indian cultures.
For Curtis, "The North American Indian" project was a race against time. Their culture was rapidly changing and their traditions were disappearing. He received encouragement and financial assistance from President Teddy Roosevelt and J.P. Morgan but the grueling work required all of his energy and more resources than he could raise, subsequently he incurred large personal debt. He spent thirty years creating "The North American Indian" which consisted of 20 illustrated volumes of ethnographic text and over 720 large-format photogravures. He took more than 40,000 photographs; made over 10,000 recordings of Native speech and music; and produced lectures, slide shows, an opera and a documentary film all based on his this work.
Image above: Edward S. Curtis, A Family Group — Noatak, The North American Indian, Volume XX, Plate 717, Photogravure on Van Gelder paper, copyrighted 1928, 11 9/16 x 15 9/16 inches, On long-term loan from the Carnegie-Stout Public Library, Gift of Mrs. Emma H. Ward. LTL.1999.11.717. |
 Landscapes: Selections from the A.G. Edwards/Wachovia Securities Collection
June 3 - August 17, 2008
Sponsored by Wachovia Securities, formerly A.G. Edwards
A stunning selection of contemporary landscapes from the A.G. Edwards/Wachovia Securities Collection was on display including works by Jim Dine, Andy Warhol, Peter B. Kaplan, Roy Lichtenstein, and Christo and Jeanne-Claude.
Roy Lichtenstein (American, 1923-1997)
Landscape, 1996
Serigraph
Framed: 35x42.5 in.
Collection of Wachovia Securities |
 Tim Olson: A Rake's Progress
June 3 - August 17, 2008
Organized by Dubuque Museum of Art
Sponsored by Cottingham & Butler
In his signature energetic style, Olson creates realistic paintings full of familiar sites and clever humor. The unruliness of his loose, erratic lines disguise carefully planned compositions in an unexpectedly satisfying way.
Tim Olson received his BA from Loras College in 2003. He was born in Storm Lake, Iowa in 1962 and now makes his home in Dubuque with his wife and two children.
Tim Olson
Double Stack Train Cars, 2008
Oil, ink, watercolor, and pastel on paper
42 x 30 in.
Courtesy of the artist |
 Erin Kono : Hula Lullaby
June 3 - July 31, 2008
Organized by Dubuque Museum of Art
Kono brings the lush, colorful world of Hawaii to life in her 2005 children’s book. The saturated colors and beautiful figures soothe the soul of children and adults alike. Hula Lullaby was awarded the Children’s Literature Council’s Excellence in a Picture Book Award and was named by Nick Jr. magazine as Best Lullaby and Goodnight Book.
Erin Eitter Kono studied graphic design at UCLA in 2000. She graduated from the University of Iowa in 1995 with a BA in art history. She was raised in Dubuque and traveled extensively before settling down in Redondo Beach, California with her husband and daughter.
Erin Eitter Kono
The scent of tropic blooms, Perfume the darkened sky,
Music rocks you lightly, With its hula lullaby, 2003
Acrylic and pencil on paper
10 x 22 in.
Courtesy of the artist |
 The final AMERICAN ICONS series:
Snoopy as the World War I Flying Ace
A program of ExhibitsUSA, a national division of Mid-America Arts Alliance and the National Endowment for the Arts
March 25 - April 27, 2008
Snoopy as the World War I Flying Ace presented Charles M. Schulz’s lovable beagle, Snoopy, as his alter ego, the Flying Ace. The exhibition showcased 40 of Snoopy’s most exciting adventures in his transformed doghouse—now a Sopwith Camel airplane — from the time he faced a deadly bout of influenza to sparring with the Flying Ace’s archenemy, the Red Baron. Snoopy as the World War I Flying Ace is toured by ExhibitsUSA, the national touring division of Mid-America Arts Alliance, a non-profit regional arts organization based in Kansas City, Missouri.
Image: Charles Schulz at his work table. Image courtesy of ExhibitsUSA.
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Bonnie Peterson and Nancy Steinmeyer: Landscape Recollections
March 4 - April 27, 2008
Organized by Dubuque Museum of Art
The natural world changes and evolves either due to or despite the presence of mankind. In this exhibition featuring two Illinois artists, preserved and changing landscapes were explored. Bonnie Peterson's quilts become visual journals from her national park expeditions. Nancy Steinmeyer's innovative paintings focus on land development and its effects on the environment.
Top: Bonnie Peterson, When I Saw Winter, 2000, mixed media quilt, 56 x 50 in.
Bottom: Nancy Steinmeyer, Keep It Clean, 2001, acrylic on canvas and wire screen, 24 x 38 x 11 in.
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Sandra Dyas
Selections From Down to the River: Portraits of Iowa Musicians
March 4 - April 27, 2008
Organized by Dubuque Museum of Art 
The Dubuque Museum of Art presented a limited selection of Iowa City photographer, Sandra Dyas' black and white photographs from her book "Down to the River: Portraits of Iowa Musicians." Dyas spent 20 years shooting live performances and portraits of Iowa musicians – compiling a visual record of blues and blues-inspired rock musicians and music that are uniquely Iowan. Dyas captures the lives of the musicians on and off stage; never as a paparazzi photographer exploiting her prey but as an artist who loves and understands her subject. Many of the musicians in her book are popular and frequent performers at nightspots in Dubuque and throughout the tri-states area.
Sandra Dyas graduated from the University of Iowa in 1998 with an MFA in intermedia and video art. She teaches photography at Cornell College in Mount Vernon, Iowa and is a freelance photographer. Dyas has exhibited her work in the Museum’s 2003 tri-state invitational and her series "The Lost Nation Photographs" was shown here in 2002.
Image: Sandra Dyas, "Bo Ramsey, Lansing Music Festival, Lansing, Iowa", June 2004, gelatin silver print, 12 x 8 in.
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Harold Martin: Symbols
November 23, 2007 - March 9, 2008
Organized by Dubuque Museum of Art
 Galena, Illinois artist Harold Martin paints powerful scenes in a way that captivates both the spirit and imagination of the viewer. One look at Mr. Martin’s work and his technical mastery is immediately evident. The Dubuque Museum of Art was proud to present this major installation of Mr. Martin’s highly realistic paintings and drawings. The remarkable figures in these works are Martin’s friends and acquaintances; their experiences and personalities sometimes establish the subject of the paintings. Religious symbols are prevalent throughout but, unlike Symbolism, each symbolic object does not always provide insight into some mysterious hidden meaning, instead the objects work together aesthetically to complete the work – more akin to the visual language of a modern day Hieronymus Bosch.
Harold Martin graduated from the Chicago Academy of Fine Arts and the Art Institute of Chicago. He worked with the Leo Burnette and J. Walter Thompson advertising agencies for 25 years before answering his true calling as a painter.
Image: Harold Martin, My Four Masks, 2004, acrylic on panel, 30.5x48.5 in., collection of the artist
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Richard Moninski: Brystklut
November 23, 2007 - February 24, 2008
Organized by Dubuque Museum of Art
 Textile or trompe-l’œil? Whether sewn, beaded, or embroidered, Richard Moninski’s textile paintings delight the eye – capturing an accurate yet painterly rendering of these masterfully crafted textile works. Moninski of Mineral Point, Wisconsin explored the varieties of brystklut, ornamental bodice inserts found on Norwegian women’s folk costumes, in this exhibition of his realistic oil paintings. Intrigued by the rich cultural heritage that shows through in the bodice designs, Moninski visited Norway in 1996 and 2000 to study first-hand the geometric and traditional patterns integrated into these complex pieces of fabric. The cleverly juxtaposed, abstract patterns inspired him to create this ongoing series of textile paintings. Moninski received an MFA in 1984 from the State University of New York in Albany, and his BFA in 1980 from the University of Massachusetts in Amherst. He is the owner and director of Green Lantern Studio in Mineral Point.
Image: Richard Moninski, Brystklut VII, 2006, oil on linen, 32x34 in., courtesy of the artist |
AMUSE BOUCHE
Arthur Geisert
Selected etchings from Pigs from 1 to 10
May 25, 2007 - February 24, 2008
Organized by Dubuque Museum of Art
 Pigs 1 to 10 is the story of ten industrious pigs and their quest to discover the mysterious land of their bedtime stories. This children's book teaches counting and encourages the imagination and curiosity of young readers. Geisert is famous for his children's book illustrations especially his use of pigs as the main characters in many of his books including Pigs from A to Z, Roman Numerals I to MM, Pa's Balloon and Other Pig Tales, Mystery, Pigaroons, Lights Out, Oink, Oink Oink, and The Giant Ball of String.
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  Hands: Beth Shadur and Petronella Ytsma
Organized by Dubuque Museum of Art
August 21 - November 4, 2007
How two very different artists interpret the same subject is a popular and often very appealing study. Such was the case with the exhibition, "Hands." Minnesota artist, Petronella Ytsma and Illinois artist, Beth Shadur each use the human hand as the subject for their work. In Shadur's mixed media works the hand represents a multicultural symbol for protection, prayer, unity, giving, and creating.
Ytsma calls the human hand the original and ultimate tool. In her series of hand photographs titled "Treuren", Ytsma makes a statement using hands of all ages and races that have experienced all levels of manual labor and human toil.
Images: left: Beth Shadur, Hand's Off (detail); right: Petronella Ytsma, Treuren (detail)
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 Regionalist Prints from the Needles Collection
Presented by Loras College and American Trust Bank
August 28 - November 4, 2007
Over 50 prints by such Regionalist masters as Thomas Hart Benton, John Steuart Curry, and Iowa's favorite artist Grant Wood. This collection came from the extensive print collection of Dr. Belverd and Marian Needles of Chicago and the Dubuque Museum of Art was proud to be able to display these popular and timeless works.
Image: Thomas Hart Benton, Huck Finn, 1936, Lithograph on paper, 19 5/8 x 23 5/8 in., Collection of Belverd E. and Marian Needles
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 Nikolaus Miesing: The Art of Stone
Organized by Dubuque Museum of Art
August 28 - November 4, 2007
Galena, Illinois artist Nikolaus Miesing presented a select collection of some of his most stunning, Brancusi-inspired stone sculptures. Born in Germany, the artist often travels to Italy to select the stone that he will carve and has the marbles and travertines he chooses shipped back to the States. He also uses local materials like Iowa limestone. Miesing's work had recently been featured in the Museum's Biennial exhibition.
Image: Nikolaus Miesing, Stylized Female, 1999, Indiana limestone, 26.5x9x5 in. , Collection of the artist
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 Voices From the Warehouse District 3
Organized by the Dubuque Museum of Art
Guest curated by Gene Tully
September 8 - October 7, 2007
11 new artists once again filled the warehouse space at 10th and Jackson Street in Dubuque with their cutting edge artwork. Artists were Abigail Butcher, Jamie Elizabeth Hudrlik, Anita Jung, John Martinson, Tom Newport, Joey Wallis, Yen-Hua Lee, Bruce Howdle, John Kabot, Christian Narkiewicz-Laine, and Doug Schlesier. This years Voices exhibition also included a theatrical performance by The Loras College Players and Fly-By-Night Productions: Shakespeare Live - theater with an artistic twist.
In cooperation with the Dubuque Museum of Art, this event was generously sponsored by: Iowa Arts Council, Premier Bank, Wilmac Property Co., Mission Creative, and Francis Henkels - Attorney
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 Joseph Walter: The Christensen Collection
Organized by Dubuque Museum of Art
May 1 - August 23, 2007
Prolific Dubuque artist, Joseph Walter (1865-1946), emigrated from Austria in 1898 and made a name for himself as a church muralist though his passion was painting pictures, primarily scenes of Dubuque and the surrounding landscapes. This exhibition showcased eight newly acquired works.
Image: Joseph Walter, Untitled, September 19, 1934, Watercolor on paper, 12x18 in., Gift of James S. and Marcia Christensen, In memory of parents Stanley T. & Gladys M. Christensen (Roberts) and her sister Lillian Roberts, a close friend of the Walter family. 05.08.015
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AMERICAN ICONS SERIES
Edward S. Curtis: Faces from the North American Indian Collection
Organized by Dubuque Museum of Art
June 12 - August 19, 2007
With the endorsement of President Theodore Roosevelt and the backing of J.P. Morgan, Edward S. Curtis set about accumulating one of the most important cultural records of Native Americans ever assembled. He photographed tribes from Indian cultures between 1907 and 1930 covering the Plains to the Southwest, Northwest, and Alaska. These images are not purely ethnographic records. Curtis was an artist and that is evident in the moving impressions and pictorial nature of his portrait images.
Image: Edward S. Curtis, Geronimo - Apache , The North American Indian, Volume I, Plate 2, Photogravure on Van Gelder paper, copyrighted 1907, Image: 15 ? x 10 ½ inches, On long-term loan from the Carnegie-Stout Public Library, Gift of Mrs. Emma H. Ward. LTL.1999.11.2
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Fiber Sculpture by Mary Merkel-Hess
Organized by Dubuque Museum of Art
June 5 - August 10, 2007
Mary Merkel-Hess is a genius with paper and fiber. The Dubuque Museum of Art was honored to exhibit the sculptures of this Iowa City fiber artist. Her brilliantly colored basket forms recall the soft movement of fields of grass on a windy summer day as well as the strict lines of a manicured lawn. Contained in a precisely arranged package, they are the epitome of natural beauty in their form and material.
Image: Mary Merkel-Hess, Haven, 2005, Reed, paper, and acrylic paint, 19 x 14 x 6 inches, Courtesy of the artist
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 Biennial Juried Invitational
Organized by Dubuque Museum of Art
February 27 - May 27, 2007
Originally slated as a tri-annual invitational, this popular event now takes place every other year to maximize exhibition opportunities for regional artists. Artists within 200 miles of the museum were invited to submit their work for consideration by guest juror, Alan Z. Aiches, an art museum professional for over 25 years. Mr. Aiches established Aiches Design in Washington D.C. in 1998 and serves as an adjunct curator at the National Building Museum.
Image: RoseAnn Wilgenbusch, Surf City, October 2006, Acrylic, copper leaf, and gold leaf, 30 x 40 inches, Courtesy of the artist
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 Ingrid Lilligren, A Certain Consistency. Works, 1996-2006.
Organized by Dubuque Museum of Art. Presented by Cottingham & Butler.
February 27 - May 27, 2007
Strong colors, whimsical shapes, and bold symbolism highlight the abstract works of central Iowa artist, Ingrid Lilligren. An Associate Professor at Iowa State University, Lilligren received her M.F.A. from The Claremont Graduate School and her B.F.A. from the University of Wisconsin. Her fresh California-influenced work provided a wonderful opportunity for visitors to experience a taste of the bustling Western art scene.
Image: Ingrid Lilligren, Dee's Sniffer , 2002, clay, bamboo, and horsehair, 64x32x16 in., Courtesy of the artist
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 Nomi's Rainbow Family
Written by Kent Shankle, Illustrations by Kettle
Organized by Dubuque Museum of Art
February 27 - April 29, 2007
An exhibition of illustrations created by Iowa artist Kettle made its exhibition debut at the Dubuque Museum of Art. Entitled Nomi's Rainbow Family, the exhibition included 29 original paintings accompanied by the text for a children's book by the same name.
This project was conceived of by Kent Shankle who worked in collaboration with his two daughters, Kethe and Naomi Shankle, to develop a fictional story based upon some of the real-life experiences that they encountered living in a non-traditional family situation. Naomi, whose nickname is "Nomi", became the central character of the narrative. As she prepares to attend a family event at her school, she must come to terms with the fact that her family might be somewhat different from other families. The book attempts to address issues of divorce, alternative lifestyles and step-parenting in a light-hearted, yet straight-forward way, embracing and celebrating the diverse nature of contemporary families.
Images: Kettle, Nomi's Rainbow Family, pp. 28-29, 2007, 4x6 in. ea., Courtesy of the artist and Kent Shankle
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 Cityscapes by Barry Masteller
Organized through Katharine T. Carter & Assoc.
January 16 - April 15, 2007
Northern California painter Barry Masteller creates haunting cityscapes that recall the glowing effects of Rembrandt and the charcoal drawings of Seurat. In his Boulevard series, the artist has arranged city streets and apartment buildings, along with the silent movements of silhouetted, Hopperesque people seen through store or apartment windows, to create a sense of community and isolation.
Mr. Masteller has shown his work extensively, most recently at the Caldwell/Snyder Gallery in New York. His work is included in many public and corporate collections, including the Crocker Museum of Art and the Monterey Museum of Art.
Image: Barry Masteller, Boulevard 49, oil on canvas, 48x54 in., Courtesy of the artist
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 Tom Metcalf: Zodiac paintings
December 1, 2006 - February 22, 2007
Meticulously rendered oil paintings on wood panels of the twelve astrological symbols and astrological wheel by a talented local artist and art professor. This was the inaugural exhibition of the Dubuque Museum of Art series presenting mini exhibitions of local talent - Amuse Bouche!.
Image: Tom Metcalf, Aries, 2006, oil on panel, 10.5x15 inches, Courtesy of the artist
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 Steven Gordon: Alaskan Vision
November 28, 2006 to February 18, 2007
Organized by the Dubuque Museum of Art, Presented by Cottingham & Butler
The Dubuque Museum of Art welcomed Steve Gordon's large-scale oil paintings of the vast and breathtaking Alaskan countryside, providing visitors with a first-hand look at the land of the midnight sun. Mr. Gordon’s focus is the landscapes of south central Alaska portrayed in a painterly, realistic style. “My large-scale paintings enable the viewer to see both the loose brushwork and the realistic image.”
Born in 1956 in Dubuque, he earned a Bachelor of Science degree in biology from Dartmouth College in 1979 and a Master of Fine Arts in painting from the University of Iowa in 1984. He and his wife moved to Alaska in 1984 where he taught art for several years before becoming a full-time artist in 1992.
Image: Steven Gordon, Johnson Pass, Early Fall, 2006, oil on canvas, 33x73 inches, Courtesy of the artist
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 Legacy and Innovation in Contemporary Clay
November 28, 2006 to February 11, 2007
Organized by Dubuque Museum of Art, Curated by Bill Farrell, Delores Fortuna, and Ken Bichell
The genesis of Legacy and Innovation in Contemporary Clay, was the desire of three area clay artists to showcase the work of other artists who served as significant influences in the development of clay as a fine art form after the Second World War. At the same time they wished to illustrate the work of contemporary artists who they saw as being the “inheritors” of these often radical teachers and aesthetic philosophies. As ideas developed, it seemed there were invited artists whose work has come to influence and epitomize the essential elements of work that followed; some whose work refined the artistic philosophies and techniques of the former; and still others who have learned, and completely absorbed, the techniques of their predecessors and are moving their own work to the very cutting edge of the medium. Often, these artists are producing works that could be included within all three of these generalities – a testament to their creative spirits and energy.
Image: Paul Soldner, Untitled, 2004, low-fired salt, 24x26x10 inches, Collection of the American Museum of Ceramic Art, Pomona, California
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 Selections from the Papua New Guinea Museum, Wartburg Theological Seminary
August 29 - November 12, 2006
Organized by the Dubuque Museum of Art, sponsored by David & Kathy Schaller
Tucked away in a refurbished gallery in the basement of the Wartburg Theological Seminary in Dubuque is a splendid array of art, tools, jewelry, and other items that represent the native cultures of Papua New Guinea. The missionaries from Wartburg Seminary have had extensive interaction with the many different tribes of these islands in the South Pacific, north of Australia, since the early 20th century. A variety of artifacts that have been collected during mission visits were on display in the Dubuque Museum of Art's lobby. These select artifacts focused on the artistic talents of the people of Papua New Guinea.
Image: Kundu Drum, local wood and snake or lizard skin, Collection of the Papua New Guinea Museum, 20-1/180 |
 VOICES FROM THE WAREHOUSE DISTRICT
September 9 - October 22, 2006
Regular show hours: Fridays 5-8p.m., Saturdays and Sundays 1-5p.m.
Organized by the Dubuque Museum of Art
Sponsored by Premier Bank, Iowa Arts Council, Wilmac Property Company, and Francis Henkels Attorney
Following the success of the wildy popular debut exhibition last year, Voices 2006 was housed in the same warehouse at 1000 Jackson Street in Dubuque. However this event boasted a six-week run and was open Friday evenings as well as Saturday and Sunday afternoons through the period. Artists from the original exhibition nominated artists for this presentation. They included: Mary Beck and Tom Jewell-Vitale from Dubuque; John Fillwalk from Muncie, Indiana; Mary Koenen Clausen from Tipton, Iowa; Susan Becker from Bellevue, Iowa; Paul Sacaridiz and Gary Justis from Bloomington, Indiana; Stephen Maxon and Doris Park from Kalona, Iowa; and Kenneth Nelson from Platteville, Wisconsin.
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 Remembering Ilze Siltumens-Holzer
August 22 - November 5, 2006
Organized by the Dubuque Museum of Art, presented by Cottingham & Butler
Much admired as a “new regionalist” this presentation of works by the late Ilze Siltumens-Holzer (1955-2005), who passed away suddenly and unexpectedly in January 2005, highlighted her landscapes of the rural Midwest in the style of which she was so well-known.
Ms. Holzer earned her Bachelor of Fine Arts degree from The Milwaukee Institute of Art & Design in 1992. After two years of study at the University of Wisconsin – Milwaukee, she decided to devote her efforts exclusively to oil painting, studying with nationally acclaimed artists Tom Uttech, William Nichols and Adolph Rosenblatt. In 2002, Ms. Holzer moved with her husband, James Holzer, to Hannibal, Missouri where they owned and operated the Red Hat Gallery, now known as The Gallery of Fine Art.
Image: Ilze Holzer, Forest Series #4, 31x25 in., oil on hardboard, Courtesy of The Gallery of Fine Art, Hannibal, MO |
 AMERICAN ICONS SERIES
Moved by the Machine: Art Inspired by the Automobile
featuring Art for the Automobile: Hood Ornaments From the Wahl Collection
June 13 - October 22, 2006
Curated by Josephine Shea, Organized by the Dubuque Museum of Art
Presented in part by Mike Finnin Ford-Chrysler-Jeep
The machine that changed American life and landscape has served as muse for the artist, and the results range from playful to unsettling. “Moved by the Machine” looked at the automobile as inspiration for artwork in a variety of media, including photography, painting, ceramics, embroidery, and mixed media. Art in the exhibition came from private collections, galleries, and museums - artists include Linda Allen, Sharon Bida, Margarita Cabrera, Jeremy Dickinson, Jörg Erichsen, Chris Everts, Shannon Goff, Richard Griesbeck, Louise Herron Halliburton, Charmaine Kaptur, Nina Katchadourian, Paul T. McCarthy, Nam June Paik, Carol Shinn, Alfred Stieglitz, and John Vachon. A special display of mascots entitled "Art for the Automobile: Hood Ornaments From the Wahl Collection" was also on view.
Image: Dennis Clive, Black Beauty, 1987, Low-fire ceramic, 7 ½ x 10 x 20 ¾ in., Private collection, Courtesy of the Allan Stone Gallery, New York
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 F.S.A. Photographs of Dubuque by John Vachon
May 30 - August 13, 2006
Organized by the Dubuque Museum of Art
John Vachon, a product of the Midwest, was born in St. Paul, Minnesota where he attended St. Thomas College. In 1936, Vachon’s thirst for adventure led him to accept a position with the Farm Security Administration (FSA) in Washington, D.C. In 1940, Vachon’s FSA work took him to Dubuque. Vachon photographed conditions of rural poverty, creating visual records for FSA historical files. His documentation of the living and working environment in this typical Midwestern city served as evidence of the plight of American farmers and laborers. Vachon’s photographs evidence a keen, straightforward observation of life that at times evokes significant emotion.
Image: John Vachon, Farely-Loetscher Building, 1940, Black and white photograph, 11 x 14 in., Collection of Dubuque Museum of Art, Gift of William G. & Barbara Kruse, 00.08.28
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 AGAINST THE GRAIN: CONTEMPORARY TURNED WOOD URNS by STEVE SINNER
May 30 - August 13, 2006
Organized by the Dubuque Museum of Art, sponsored by Cottingham & Butler
This exhibition featured beautifully crafted vessels that demonstrate the artist’s technical mastery well beyond the simple hobby or pastime. Each piece has a brilliantly decorated, high-finish surface achieved through a variety of sophisticated techniques and materials. In fact, these handsome, turned wood urns borrow much from their ancient Greek predecessors.
Mr. Sinner’s interest in woodworking led to a degree in Industrial Education at Iowa State University. Inspired by Dale Nish’s "Creative Woodworking" in 1975, he attempted woodturning and acquired a passion for the craft. He concentrates on vase forms – difficult because of their deep, hollow interiors. He lives in Bettendorf, Iowa with his wife.
Image: Steve Sinner, Class of '60 – Faded Memories, March 2002, Walnut, ink, and silver leaf, 23 ¼ x 8 1/8 x 8 1/8 in., Collection of Dubuque Museum of Art, 04.01.003
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DUBUQUE CITYWIDE HIGH SCHOOL EXHIBITION
May 2 – 21, 2006
The Dubuque Museum of Art hosted an exhibition of work by students of Hempstead, Senior and Wahlert high schools from May 2-21, 2006.
Students contributed two- and three-dimensional work in a variety of mediums including painting, ceramics, sculpture, and textiles. The students helped hang the exhibition under the supervision of Stacy Gage, the Museum’s Collections & Exhibitions Manager and the art specialists of their respective schools. The exhibition also featured artwork by the art specialists.
On Wednesday, May 10, selected art students had the opportunity to participate in enrichment activities. The activities included a critique session lead by Rachel Williams, Assistant Professor of art education at the University of Iowa and a panel discussion of career opportunities in the visual arts. The panelists were Ken Bichell, artist, teacher and owner of Mississippi Mud Studio, Rachel Williams, Assistant Professor of art education at the University of Iowa, Kristin Baum, assistant conservator of the University of Iowa Libraries, and Edwin Ritts, executive director of the Dubuque Museum of Art.
Exhibitions featuring the artwork of Dubuque Community School students happen every two years at the Dubuque Museum of Art, alternating between a high school exhibition and an all school K-12 exhibition.
Organized by the Dubuque Museum of Art. Presented by DuTrac Community Credit Union, Dave & Marilynne Field, James & Nancy Klauer, and other exhibition patrons. |
 Telegraph Herald Photojournalists
Day In, Day Out
February 21 - April 23, 2006
Organized by the Dubuque Museum of Art and presented by The Dubuque Telegraph Herald
This exhibition presented a dramatic look at life in the tri-state area from 1993 to 2005 documented by photojournalists from Dubuque’s consummate local newspaper. Area residents remembered many of these moving images but for new generations, newcomers, and visitors the images revealed the vibrancy of Dubuque, then and now.
Curated by Mr. Mark Hirsch of the Telegraph Herald, he explained, "As I selected photographs for this exhibition, I sought feedback from the many staff photographers and interns I have worked with over the last 15 years. Some of the selections were their personal favorites; others are included because they elicited a smile, sparked a laugh, or poignantly captured the 'moment.' The common denominator is the photograph’s ability to communicate information while transcending cultural and language barriers. That is photojournalism."
Image: Dave Kettering, June 23, 2005, 16 x 20 in., Digital print, Courtesy of the Telegraph Herald
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 Images From Places Past: Photography by Louie Psihoyos
February 7 - April 23, 2006
Organized by the Dubuque Museum of Art
Sponsored by Nick & Christine Yiannias
The Dubuque Museum of Art proudly welcomed world-renowned photographer and Dubuque native, Louie Psihoyos with an exhibition of his stunning photography.
This exhibition featured a collection of Mr. Psihoyos' greatest hits from his brilliant career as a photojournalist shooting for such distinguished magazines as National Geographic, Smithsonian, and Vanity Fair. The collection boasts a wide array of amazing subjects from around the globe.
Forbes magazine has described Mr. Psihoyos as, “one of the ten top photographers in the world.” He has captured subjects from dinosaur eggs, exotic landscapes, and documentary wonders to lively portraits of some of the most famous people in the world.
Louie Psihoyos was born in Dubuque, Iowa in 1957. He graduated from the University of Missouri with a degree in photojournalism. He has lived and traveled all over the world and currently resides in Colorado with his wife. Mr. Psihoyos has been the subject of a National Geographic Explorer program, as well as segments on CBS Sunday Morning, Good Morning American, and has been invited to speak on NPR several times.
Image: Louie Psihoyos, Guardian, 1989, color photograph, 44 x 46 in., Courtesy of the artist
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 New Clay Vessels by Elizabeth Shriver
February 16 - April 16, 2006
Organized by the Dubuque Museum of Art
Sponsored by Cottingham & Butler
This exhibition featured ceramic vessels that explore the synthesis of organic form with functional application. Some objects share the fragile, graceful, and elegant appearance of plants and sea life, while others have the solid, rugged, and durable look of stone. Ms. Shriver’s “aim is not to replicate nature but to blend artistic expression with the beauty of the natural world.” Borrowing from clay vessel shapes centuries old, these coil and hand-built objects break from the traditional in surface treatment.
Elizabeth Shriver received her Bachelor of Arts from the University of Iowa in 1987 and was an award winner in the Museum’s 2004 Tri-State Tri-Annual Juried Exhibition. She resides in Coralville, Iowa with her husband and four children.
Image: Elizabeth Shriver, Split Vessel, 2005, Ceramic, 22 x 18 x 12 in., Courtesy of the artist
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 Exploring Transparency - Art Glass Invitational
Organized by the Dubuque Museum of Art, curated by Mark Fowler
November 29, 2005 to February 12, 2006
Sponsored by American Trust Bank
The beauty of art glass was brilliantly displayed at the Dubuque Museum of Art. Since the 1960s, the use of glass as a purely artistic medium has flourished. In Exploring Transparency, works from the collection of the Leigh Yawkey Woodson Museum of Art highlighted art glass from this early period. In addition, over 20 contemporary glass artists from around the United States represented the current trends in art glass, including Hank Murta Adams, Mark Bokesch-Parsons, Barrie Bredemeir, William Carlson, José Chardiet, Jim Cook, Fred di Frenzi, Sheryl Ellinwood, Mark Fowler, Shaun Graves, Wes Hunting, Kreg Kallenberger, Brent Kee Young, Michael Meilahn, Mark Peiser, Stephen Powell, Mike Rogers, Charles Savoie, Paul Stankard, Alex Stisser, Mark Sudduth, and Steven Weinberg.
Image: Alex Stisser, Soft Barbell Composition, 2005, Blown glass, Dimensions vary, Collection of the artist
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 Maureen Bardusk and Kathy Weaver
Confluence
November 22, 2005 to January 29, 2006
Organized by the Dubuque Museum of Art
Sponsored by Cottingham & Butler
The challenge with successful artistic collaboration is to gain the camaraderie without losing the self. For Maureen Bardusk and Kathy Weaver, the vigorous collaborative process allowed them to gain a better awareness of their own style by requiring each artist to define her style and content in order to proceed, giving each artist a heightened sensibility concerning their own work. There is a sense of renewal and discovery in achieving collaboration because unique ways of problem solving and artistic outlook are uncovered. Their motivation was fired by the intrigue of pushing beyond their comfort zone and normal aesthetic.
This exhibition featured a collection of individual pieces by each artist along with 50 collages which Bardusk and Weaver worked on individually then jointly, exchanging work until completion. Confluence illustrated the role healthy, voluntary collaboration plays between artists in the process of creativity. The individually created works on display lent a clue to the input each artist contributed to the collages. The show was truly a synthesis and study of contrasting aesthetics. |
 Miss the Mississippi: Landscapes of My Home
Paintings by Jennifer Braig
August 30 - November 13, 2005
Organized by the Dubuque Museum of Art
Sponsored by Cottingham & Butler
Dubuque native, Jennifer Braig, presented paintings that express her love of the landscape she remembered growing up. Her style is balanced yet energetic with unexpected compositions and thick impasto. She uses intense, eye-catching colors to draw the viewer in for a closer look to discover rhythmic brush strokes enlivening the canvas.
Ms. Braig cultivated her love of working in oil at Loras College where she earned a Bachelor’s degree in Art, with minors in Art History and English in 1992 and studied under Tom Jewell-Vitale. Ms. Braig currently lives in Spearfish, South Dakota with her husband and two daughters.
Her smaller works had been displayed locally, so the Museum was excited to showcase Ms. Braig’s large-scale works that reach up to six feet wide.
Image: Mississippi River Barge, 2005, oil on canvas, 7x20x2 in.
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 Visions for the Next Millennium: Wilderness Photography - Focus on Preservation
Large-format photographs by Clyde Butcher
September 20 - November 6, 2005
Presented by Smith Kramer Fine Art Services
Clyde Butcher's large-format black and white photographs explore his personal relationship with the environment. The photographs chronicle some of America's most beautiful and complex ecosystems. The exquisite depth of his works draw the viewer into a relationship with nature. For more than thirty-five years, he has been preserving on film the untouched areas of the landscape.
Image: Clyde Butcher, Moonrise, Big Cypress National Preserve, Florida, 1986, Black and white photograph, 61 1/2 x 47 1/2 in. framed.
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 Voices From the Warehouse District
1000 Jackson St., corner of 10th and Jackson Streets, look for the orange door
September 10 - October 9, 2005 (weekends only, 1:00-5:00p.m.)
Sponsored by Premier Bank, Wilmac Properties, and Mission Creative
The Dubuque Museum of Art was very excited to announce it's first-ever, off-site exhibition featuring some of the regions most talented and cutting-edge artists. This exhibit showcased major installations that pushed artistic skill and thought beyond a typical museum exhibition setting. Many of the works were created on-site specifically for the unique, historical warehouse space. We hope you were able to join the Dubuque Museum of Art in celebrating this truly unique, cultural experience for Dubuque and the tri-state area. Participating artists included Beth Bird, Bill Farrell, Delores Fortuna, Rose Frantzen, Louise Kames, Amy Mangrich, Tom Metcalf, Chuck Morris, Wendy Rolfe-Mulgrew, and Gene Tully.
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 Frank Lloyd Wright's SAMARA: Realization of a Usonian Dream
June 7 - September 4, 2005
Organized by the Dubuque Museum of Art & The John E. Christian Family Memorial Trust, Inc.
America's most celebrated architect was featured through an exciting collection of renderings, blueprints, furnishings, textiles, and other items from SAMARA, one of the late Usonian style homes Wright was commissioned to design during the 1950's by John and Catherine Christian of Lafayette, Indiana. But this exhibition represented much more than that. It was really an exhibition about dreams. It reflected Wright's deeply held dream of designing a comfortable, harmonious, and affordable home for the common man; a home at one with nature and in sync with the lifestyle of its occupants.
Sponsored by Durrant Group and Metrix Company
Image: SAMARA Living Room
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 A Century of Iowa Architecture
June 14 - August 21, 2005
Organized and circulated by The American Institute of Architects, Iowa Chapter
This was a statewide traveling exhibit in conjunction with the AIA Iowa's 100-year anniversary. The American Institute of Architects, Iowa Chapter, announced the top 50 Iowa buildings of the 20th century last fall, as part of its centennial celebration. To be considered for the honor, a building had to be in Iowa, still standing and designed by an architect. This juried exhibit, intended to celebrate and inform Iowans of their rich and vibrant architectural heritage, consists of select photographs of the top 50 Iowa buildings including Dubuque's own Julien Dubuque Bridge and Eagle Point Park Shelters.
Sponsored by Cottingham & Butler
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Tom Jewell-Vitale
February 22 - June 5, 2005
Organized by the Dubuque Museum of Art
Local artist and Loras College art professor, Tom Jewell-Vitale, presented an exquisite body of expressive abstract works in oil, wax and acrylic. Jewell-Vitale's style evokes tranquility and acumen, and acquaints the viewer with the artist's sensibility. Each image provides a personal opportunity for peaceful introspection and appreciation; overflowing with lush colors, intriguing juxtapositions, and fascinating shapes.
Sponsored by Cottingham & Butler
Image: Thomas Jewell-Vitale, Roshi's Advice, 2003, Oil, wax and acrylic on paper, 11 x 9 in., Collection of the artist
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 Ideally Real
The Paintings of Mary Kline-Misol
With guest curator David Wells
March 29 - May 20, 2005
This exhibition examined the style and motivation of well-known Des Moines area artist, Mary Kline-Misol. Drawing from her extensive body of extraordinary, life-size paintings, guest curator, David Wells provided insight into the works' ideally real settings. The artist's unique perspective and thick impasto creates a definite air of mystery and magic in subjects ranging from portraiture and still-life to Alice in Wonderland and botanical series.
This exhibit was sponsored by Tri-State Independent Physicians Assoc., Inc. and Dubuque Orthopaedic Surgeons, P.C.
Image: Wintertree (Blackbird), 2000, Acrylic on canvas, 40 x 60 in., Collection of the artist
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Salmagundi Club: An American Institution
January 25 - March 20, 2005
Organized by Smith Kramer Fine Art Services
The Salmagundi Club, founded in 1871, is one of the oldest art organizations in America and boasts the membership of influential artists like George Inness, Howard Chandler Christy, Robert Blum, William Merritt Chase, Emil Carlsen, Childe Hassam, Louis Comfort Tiffany, just to name a few.
This exhibition of club member's work included works of art, artists' used palettes, hand decorated mugs, photographs and the coveted Salmagundi Club medal.
Sponsored by FRIENDS and the Dubuque Museum of Art
Image: William Merrit Chase (1849-1916), Seated Woman with Fan, c. 1890, Ink drawing
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 Pig Latin: Illustrations by Arthur Geisert
November 23, 2004 - February 18, 2005
Organized by the Dubuque Museum of Art
Curated by Jane Milosch
From the Museum's permanent collection, this exhibit featured original hand-colored etchings created for Geisert's book, "Roman Numerals I to MM", published by Houghton Mifflin in 1996. Lessons of how to count Roman numerals are filled with fanciful depictions of pigs in hot-air balloons, pigs playing tug-of-war and pigs romping about the farmyard.
Sponsored by Cottingham & Butler
Image: Arthur Geisert, Roman Numerals, Jacket Front, 1996, Hand-colored etching, The Arthur Geisert Collection. Gift of Arthur and Bonnie Geisert, made possible by Jack and Mantea Schmid.
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 "Dubuque: The Grant Wood Collection"
May 29, 2004 to January 9, 2005
This exhibition featured works from the Museum’s significant collection of Iowa Regionalist, Grant Wood. Wood’s work celebrates the rolling landscape of rural Iowa and gives dignity to the seasonal labors of the farmer who works the soil. Wood’s work is also infused with a gentle humor that viewers can easily identify with.
Dubuque’s Grant Wood Collection was established in 1935 when the Carnegie-Stout Public Library, using a bequest of Mary E. Lull, purchased two important paintings: "Appraisal" and "Victorian Survival". It was the first public collection in Iowa to acquire major works directly from Grant Wood. Throughout the history of both organizations, the Museum and Library have enjoyed a longstanding professional partnership. This relationship was capped in 1999, when, through a long term loan by the Carnegie-Stout Library, the Dubuque Museum of Art became the caretaker of the Woods and other paintings. The Museum was entrusted with the collection because they could “provide the best facility and opportunities for the community to enjoy these treasures."
Other works in the exhibit came to the Museum through the generosity of Museum patrons, Dr. Randy Lengeling and Bob and Barbara Woodward.
The exhibit included Wood’s early work, as a student exploring a variety of aesthetic models during his travels in Europe, his iconic and familiar Regionalist images of the Midwestern landscape and rural folk that he loved and respected, and the set of lithographs completed during the last four years of his life. Also included in the exhibition were whimsical flower pot sculptures, “Lillies of the Alley” composed of nuts and bolts found in Wood’s alley.
Other objects in the exhibition included books illustrated by Wood and a brochure he published to advertise the Stone City Art Colony.
The exhibit was sponsored by Dubuque Internal Medicine, PC and Tri-State Independent Physicians Assoc. Inc.
Image: Tree Planting Group, lithograph, 1937, Gift of Dr. Randall and Cathy Lengeling, 99.12.02
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"Edward S. Curtis: The North American Indian-Selections from the Complete Portfolio Collection"
May 29, 2004 to January 9, 2005.
Pioneering photographer Edward S. Curtis captured the daily and ceremonial existence of the Native Americans during the period 1900-1930. His ambitious project was endorsed by then President Theodore Roosevelt and financed by JP Morgan. Curtis’ goal was to produce a 20 volume set of ethnographic text illustrated with high quality photogravures.
The exhibition consisted of 20 images from the Complete Portfolio. The Portfolio came to the Dubuque Museum of Art once again through the auspices of the Carnegie-Stout Public Library. Former Dubuque native, Mrs. Emma H. Ward gave the portfolio to the Library as a memorial to her late husband, Hiram Pond Ward. This Portfolio came under the care of the Museum in 1999, with other significant works from the Library’s collection.
After languishing for years unnoticed, the Curtis photographs resurfaced in the 1970’s and are now recognized as one of the most significant records of the Native American cultures ever produced.
The exhibit was sponsored by Target and FRIENDS of the Dubuque Museum of Art.
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 "Accumulations" August 10 - November 7, 2004
Fiber artist Michelle Sales expresses herself forcefully with dyed and heat treated synthetic fiber in her exhibit "Accumulations", in the Kris Mozena McNamer gallery at the Dubuque Museum of Art. Photo journals of decay and erosion created during travles to Central and South America influence her work. Each piece of material that Ms. Sales manipulates and then sews together represents a memory that she recalls while creating her work. The exhibition work provides viewers with a chimerical yet corporeal environment of human forms including torsos, arms, and life-size figures to examine.
Sponsored by Cottingham & Butler
Image: Paladin 3, 2003, 74 x 24 x 12 in., Thermoplastic materials, dyed and stitched, wire, transferred text, found objects, Collection of the artist |
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